Review: Patrik Skoog – “Exit Earth”; Snuff Crew – “Behind The Masks”; Mendo – “Avalon”; Conforce – “Kinetic Image”

There was a time when dance music albums were simply a collection of four-to-the-floor tracks without much coherence, like two or three 12inches released in one package. However, for quite some time now a large amount of artists in the genre have crafted albums that are a consistent set of pieces, often with a thematic or at least a musical consistency and that are listenable in other places than a club too.

These days, mainly due to the emergence of the digital market and a change in the ways of music consumption, the album format has generally lost its importance to the single. One could easily expect dance music producers leaving the effort of creating an album and concentrate on a condensed output format. But this isn’t the case at all and the release of several interesting albums during these weeks confirms this point in a way.

PATRIK SKOOG EXIT EARTH draftSwedish producer living in Berlin Patrik Skoog just brought out his first album under his own name on Third Ear Recordings. The man’s long discography, starting at the end of the previous century, is a proof of his diligence and experience but until now, “Who Made Up The Rules” on Josh Wink’s Ovum Records (2011) was the only album on that list. It was released under his alias Agaric which he has been using most during the last years of his career so the fact that “Exit Earth” was done using his proper name is noteworthy.

Skoog now made use of a thematic approach: not only all track titles but also his sound palette reflect the topic of NASA’s two Voyager space travel projects in the 1970s. Of course the exploration of the cosmos is a classic techno idiom and possibly “Exit Earth” could have done without all this. On the other hand it neatly ties everything together conceptually.

The album contains slower, dreamlike tracks like “Inside Jupiter’s Eye” and the beautiful “Cluster 34”, dance floor material such as “Cygnus A” as well as some experimental parts as for instance “Voyager 1” or the closing “Radio Emissions”. Yet it never loses touch of its self-imposed running thread. Furthermore two specific characteristics stand out: firstly, the inherent emotive force of all tracks and secondly Skoog’s meticulous production technique and finishing which make “Exit Earth” a powerful whole.

Snuff Crew Behind The MasksIn lots of ways the German duo Snuff Crew stands for (a certain) tradition and the continuation of it. Having always stressed the heavy impact and influence which 1980s Chicago house, acid house and early techno had on them, their output – be it as producers or as a live act – has continuously been an emulation of those genres. The fact that they keep their identity hidden is in this respect in line with a certain custom in the scene and the title they chose for their third album, released by BPitch Control, refers to this.

However, “Behind The Masks” is not a true revelatory affair per se. The real names of the creators aren’t mentioned in the sleeve notes and that these personas stand for a flaming passion for old school house and techno had already been made clear. However new is for instance an abundant use of piano parts and, more generally, a recurring song-based structure. Take for instance “New Life” which is an utterly sweet Balearic tune, poppy even, featuring a good vocal by Rachel Low and totally having the feel of early 1990s Ibiza hit material.

The appearance of several top contributors is another remarkable feat. Kim Ann Foxman stars in “Tearing Me Away” while Chicago house legend Tyree Cooper completely gets down on the hip house party blaster “Work It Out”. Last but not least, Venetian male diva Hard Ton demonstrates on the catchy “Let Me Be the One” that he is most certainly one of the best house vocalists of today’s scene. Apart from these tracks, Snuff Crew also included decent stylistic exercises in acid – “Bass!” – as well as in electro – “What Is Electro?”.

But while the twosome’s production resulted in an album that, all its imperfections aside, has a very polished sound it is exactly this cleanliness that can be bothersome. As Snuff Crew proclaims to search for the perfect jack and appraises rawness, it is a pity this isn’t expressed more on a recorded album like they seem to manage perfectly while playing live. Also, their quest sometimes brings into being a fairly generic type of house; it works but may lack a face. Masks or not.

CR036_Mendo_Avalon_CoverArtworkWebGeneva-based David Mendo might not be a top name in house (yet), nonetheless he is a exceptionally skilled dj who has released a long list of 12inches, some on big labels such as Groove, Defected, Get Physical, Cadenza and Rekids. Now he presents his debut album entitled “Avalon” on his own Clarisse imprint. As Mendo is of Spanish descent, quite some of his influences, samples and rhythms are derived from Latin music. The combination with house has been tried and tested many times in the past and Mendo doesn’t really present us something radically new, yet the examples on this record testify that the concept still works, given that production is done properly.

Mendo shows he can take care of that. A piece like “Abstract” is a case in point: here, a good groove is accompanied by the melancholic Spanish vocals of Carla Krevey, an intense piano part, a well-placed guitar sample and some percussive sounds, creating a warm atmosphere. The mastery is definitely in the timing and in the auditory details which are a constant throughout the record. Some tracks give the impression of simplicity but after listening more often and/ or more closely their refinement becomes apparent.

Certainly, “Avalon” includes a few outstanding, restrained and balanced pieces such as “Libellule” and “Waterborne” but the Swiss also put in some floor bombs: “La Krika” and “Les Clochers de Belarus” are packaged as late-1990s deep house anthems and “Fever” is based on soulful but grooving disco. It is without doubt “Everybody Love” though that has the most explosive potential with its pure peak-time power and precision. But “Avalon” is all together a quality album which I certainly recommend.

Kinetic Image-FrontSomething quite different is the work of Boris Bunnik, known for his deep alternative techno as Conforce but also for his unremitting work ethic – which I don’t believe is because he’s from the northern Netherlands but more because he’s really passionate about producing. With “Kinetic Image”, his third album, he steers away from beat-driven and dance-inducing music and explores a domain of his musical realm that is darker and more subdued.

As Bunnik uses several artist names to distinguish between the different facets of his music, it is significant that he chose his Conforce moniker for this release on Delsin Records, perhaps indicating that he will take this part of his oeuvre into a new direction. Indeed, “Kinetic Image” isn’t a record you skip through, it demands complete immersion. Yes, it’s best to make time for it; most of us create a right setting and make accommodations for watching a movie so why not do something similar for certain music? I bet some people occasionally do and Conforce’s latest certainly asks for it.

During the trip he is offering, sounds are sparsely distributed along subterranean passageways. Once in a while wobbly and dubby patterns appear while high pitched bleeps are omnipresent. However sober the arrangement, it manages to evoke a thick cover; eccentric yet comforting. Conforce has created an all-encompassing experience in the form of a music album. It’s not fast and flashy, superfluous nor flimsy but it surely presents a treat for the mind.

 

Patrick Skoog – “Exit Earth” is out since October 25th

Track list:
1. Cluster 34
2. Saturnian Acid
3. Stereo/ Waves
4. Voyager 1
5. Voyager 2 (digital only)
6. Inside Jupiter’s Eye
7. Stay In Orbit
8. Time Won’t Come
9. Cygnus A (digital only)
10. Death Of A Pulsar
11. Radio Emissions

Snuff Crew – “Behind The Masks” is out since October 25th

Track list:
01. Lights
02. New Life feat. Rachel Row
03. Move Me
04. Let Me Be The One feat. Hard Ton
05. Jack My Heart
06. Tearing Me Away feat. Kim Ann Foxman
07. Work It Out feat. Tyree Cooper
08. What Is Electro?
09. Bass!
10. Joy Of Jealousy

Mendo – “Avalon” is out since November 4th

Track list:
1. Mintro
2. Abstract feat. Carla Krevey
3. Clavelito
4. Everybody Love
5. Waterborne
6. Fever
7. Samba
8. Interlude
9. La Krika
10. Avalon
11. Rising Sun
12. Les Clochers de Belarus
13. Amazon
14. Libellule

Conforce – “Kinetic Image” will be out on November 18th

Track list:
1. Excess Mortality
2. Spatiotemporal
3. Temporary Reversals
4. Semantic Field
5. Scientific Trajectory
6. Underwater Settlers
7. Formerly Programmed Decisions
8. Abundance Of Selves
9. Optimum Pace
10. Anti-adaptive State

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Review: Conforce – “Time Dilation EP”; Vincent I. Watson – “Serene”; Lucy & Silent Servant – “History Survivors”; Elektro Guzzi – “Cashmere EP”; Dinos Chapman – “Luftbobler”

Popperola has been quiet for a while. This was due to the fact that I was moving house but now I’m fully settled in my new home, it’s again time for some writing. So here are a few reviews of notable records (and more will follow very soon).

Firstly I’d like to mr3210_1_orention a new ep by Dutch producer Conforce, a man glowing with great talent. On his recently released “Time Dilation EP” on Delsin Records you’ll find four high-quality techno tracks that represent four different takes on the genre. Opener “Embrace” is a beautifully worked, otherworldly piece, coming along as a quasi-archetypical example of deep dub techno. “Last Anthem” then consists of warm, subaquatic tones contrasted with high shrieking sounds and a few underlying melodic synth lines on a simple, even substratum of beat and hi-hats: a configuration aimed at a trance-induced dance. Melody has been cut from “Receiver”, a darker and more metalloid fabrication. Lastly, In “Nomad”, the consistent beat pattern has been replaced by a more complex percussive structure which forms the basis for a track that seems to convey an introvert yearning. Striking and moving, to say the least.

Now, I must admit that I’ve always been quite a fan of Vince Watson’s work which, as you might knoPOMCD002_VinceWatson_Serene_CoverArtworkWebw, is a personal variant of classic Detroit techno with an accumulation of lush, harmonic lines and endowed with great melodies. The man recently was given the opportunity by Pyramids Of Mars to draw attention to a different aspect of his oeuvre. P.O.M. is a fresh enterprise of Matt Edwards (Radio Slave) and thus a little sister of his Rekids that seeks to combine an output of left field music with design and art. Since Watson’s music was used in “Mad Dogs”, a British television series on Sky1, the Scottish-born producer has set out to explore the combination of cinematic art and music further under his full name Vincent I. Watson.

The result is the album “Serene”, a collection of ambient tracks that indeed would go well with moving images. Seemingly, it is made with a similar modus operandi as Watson’s techno material: gradually well-chosen layers of sound are woven into a mesh of almost sublime splendour. The thrusting beats and percussion have evidently been left out but the usage of hardware that is typical for Detroit techno and early electronic popular music is still a basic premise. Also, the man’s talent as a piano player often comes to the fore more noticeably. Moreover, what connects this material perfectly to film and television is that it evokes a narrative structure including elaborated build-ups and fragments of tension release. In short, this is an album that’ll let you blissfully float in the vast territories of your fantasy.

MOTE034_CoverArtworkWebAt the present time the label Mote Evolver continues to deliver high standard, proper techno. A new release is due in a few days and is in fact a collaborative work of two producers on their peak, namely Silent Servant and Lucy. Their ep “History Survivors” contains two tracks of relatively long duration that reveal the distinctive treatment of noise and weird, industrial sounds of the first as well as the latter’s capacity to develop arresting arrangements. So in its length of thirteen minutes, “Dormancy Survivors” does not fail to keep attention focused, its storyline remaining haunting and edgy. “Victors History” on the b-side has a distinct percussive quality and is more hypnotic by nature. While bleeps and shrieks reverberate, some stretched synthesizer notes bring emotion into play. Anyway, it’s a superb record that I’d like to recommend.

M32_EG_Cashmere_cover_500x500Something of another kind is the work of the Austrian band Elektro Guzzi. They can be considered as the main protagonists of what is called live techno, by which is meant techno performed with real instruments, other than live sets done with hard- and software by producers. Elektro Guzzi’s merit is that they play exceptionally tight, so that the warmth and organic sound of their analogue instruments fall together with their mechanical precision. Often this brings to mind other styles that heralded techno, such as krautrock. Their latest ep, which will again be released by Macro and is produced by their compatriot and techno veteran Patrick Pulsinger, features three pieces or, to be precise two tracks and a reverse version of one of these. “Cashmere” itself is, well, live or not, a thriving piece with a certain drama that is as captivating as it is hot. The reverse version (on the B-side of the vinyl version) is just what it claims to be: the same structure but re-written and played backwards, which the band delivers as an equally great song. “Crack Fox” has a stirring quality, mostly because of the wobbling, repetitive guiding sounds that are topped up by short, drone-like horn touches and a guitar part that sounds similar to a new wave lick. Indeed, Elektro Guzzi once more made a record with a lively and warm sound and well-balanced in recording and production that proves their status.

dinos_chapman_luftboblerTo conclude I’d like to point out a remarkable release by Dinos Chapman, one of the Chapman brothers, a British visual art duo that, since the early 1990s, drew a lot of attention because of the shock value in their oeuvre. Mind you, this is hardly ever without purpose and they keep succeeding in asking relevant questions. To work independently from one another is very unusual but now Dinos Chapman has conceived a music album called “Luftbobler” (on The Vinyl Factory) full of weird and extraordinary electronic music. In several instances, this works quite well. I’d suggest you check it out yourself; you can find some tracks here, and you might as well read this interesting interview with the Londoner in The Guardian, where he discusses the idea behind the making of this album, his musical influences and the work he does with his brother Jake: www.guardian.co.uk/artanddesign/2013/feb/19/dinos-chapman-first-album-luftbobler.

Conforce – “Time Dilation EP” is out on vinyl since February 4th

Track list:
1. Nomad
2. Receiver
3. Last Anthem
4. Embrace

Vincent I. Watson – “Serene” is out since February 18th

Track list:
1. Hidden Behind The Eyes
2. Placid
3. Sagitaria
4. Re-Contact
5. Serene
6. Out of Reach
7. Celtic Beauty
8. Continuum
9. Abyss
10. Open Your Eyes

Lucy & Silent Servant – “History Survivors” will be out on March 4th

Track list:
1. Dormancy Survivors
2. Victors History

Elektro Guzzi – “Cashmere EP” will be out on March 3th

Track list:
1. Cashmere
2. Crack Fox
3. Cashmere (Reverse Version)

Dinos Chapman – “Luftbobler” is out today

Track List:
1. So It Goes
2. Whatever Works
3. Reaktorsnuhsnuh
4. He Has No Method
5. Smeyes
6. Where’s The General?
7. Pizza Man
8. Sputnik
9. Cool Operator
10. Luftbobler
11. Enrich Zann
12. Sun Lounge
13. Alltid